Netflix Weekly Charts 2026

The week to September 22 is live on Kalshi, and this page has moved there wholesale. Polymarket settled its seven boards on Tuesday night and has not yet listed the new cycle, so every widget here is Kalshi until it does—the exact mirror image of last week, when Kalshi was dark and this page ran entirely on Polymarket.

A fresh chart is the one hour these books are genuinely uncertain, and the prices show it. The top US show board has no favourite: Crew Girl: Season 1 leads at 18% and every other title sits at one or two cents. Contrast last Tuesday, when the same board closed at 99%. The movie board is further along—Why Did I Get Married Again? at 77%, carrying over from a week at the top.

The flow, as ever, is in the tail. The top-show board turned $29,454 in a day; the 18% leader took $8,843 of it and the nine titles priced at one or two cents took the other $20,611, 70% of the day. On the #1-show viewership ladder, the four rungs from 30 million upward—each at 1%—took $15,368 of a $23,784 day, 65%, against $5,071 for the 98% rung at 6 million.

Kalshi runs the Netflix Top 10 as a weekly cycle: four rank books plus two viewership ladders, opened Tuesday and settled the following Tuesday. These are the two show boards, both still wide open.

Left: Crew Girl: Season 1 at 18% for the top US show, the only title on that board above two cents and the taker of $8,843 of its $29,454 day. Right: the same title at 71% for the #2 slot.

The book is saying it expects Crew Girl in the top two and is unwilling to say which rung.

Why Did I Get Married Again? leads the US movie chart at 77%, a holdover from its week at number one, and sits at 29% on the #2 board. Every other title on both boards is a penny. These are the two boards with real prior information in them.

Kalshi books viewership as well as rank. The #1 show clears 6 million views at 98%, 12 million at 61% and 18 million at 34%; the 30 million rung and above sit at a penny each and took 65% of the ladder's day.

Cross-exchange coverage of the Netflix charts is currently one venue at a time. Last week Kalshi was dark and this page was all Polymarket; this week Polymarket has not opened and the page is all Kalshi. Neither exchange has yet listed a week the other was also listing, which makes the spread between them impossible to read and is the single biggest gap in this page.

The interesting window is now. A rank book opened on a fresh chart carries real uncertainty for a day or two and then collapses to a penny on one side by the following Tuesday. Crew Girl at 18% for the top slot and 71% for the runner-up slot is what genuine disagreement looks like here; by Sunday it will most likely be 99% somewhere.

The tail-buying pattern has now survived a venue change. Seventy percent of the top-show board's day went to titles priced at one or two cents, and 65% of the viewership ladder's day went to rungs at a penny. This ran on Polymarket's boards last week and on Kalshi's the week before—it is structural to decided-or-nearly-decided books, not a quirk of one exchange.